Florigraphy

“Peonies Blown in Wind” by John La Farge, the Museum of Fine Arts, Boston, MA Collection

February 7th, 2010 by carlisleflowers
 "Peonies Blown in Wind " window, John LaFarge (American 1835-1910)  1886, Leaded stained and opalescent glass, *Museum of Fine Arts General Funds, *Photograph @ Museum of F.A., Boston

"Peonies Blown in Wind " window, John LaFarge (American 1835-1910) 1886, Leaded stained and opalescent glass, *Museum of Fine Arts General Funds, *Photograph @ Museum of F.A., Boston

John La Farge, painter, stained glass designer. Among his many commissions, decoration of the Trinity Church in Boston placed La Farge at the forefront of the American Arts and Crafts movement. He early admired the formality and patterning of Japanese art, and he recorded his impressions of his travels in Asia in An Artist’s Letters from Japan (1897). La Farge’s stained-glass windows reflect the Gilded Age fascination with medieval art and craftsmanship. The industrial revolution had made inexpensive, mass-produced glass available to anyone, but art glass remained an emblem of wealth and good taste (excerpt from Smithsonian American Art Museum and Renwick Gallery).  La Farge experimented with color problems in medium of stained glass.  Opalescent glass invention of superimposing and welding his material.

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Arts and Crafts Vases from Art Institute of Chicago’s Collection

February 6th, 2010 by carlisleflowers
Vase, Art Institute of ChicagoPermission of  Art Institute of Chicago

Attributed to George Prentiss Kendrick (1850–1919); Decoration attributed to Eva Russell (American, active c. 1905); Grueby Faience Company (1894–1909). Vase, 1903/09. Boston, Massachusetts. Glazed earthenware. The Art Institute of Chicago, restricted gift of the Antiquarian Society; through prior acquisition of the B.F. Ferguson Fund; Skinner Sales Proceeds Fund; Wesley M. Dixon, Jr., and Roger and J. Peter McCormick endowments; through prior acquisition of the Antiquarian Society; The Goodman Fund; Simeon B. Williams, Harriet A. Fox, and Mrs. Wendell Fentress Ott funds; Highland Park Community Associates; Charles R. and Janice Feldstein Endowment Fund for Decorative Arts.

The exhibit, “Apostles of Beauty:  Arts and Crafts from Britain to Chicago”  recently closed at the Art Institute of Chicago.  The show focused on the development of English artist William Morris and The Arts and Crafts movement which began in Victorian England, the cradle of industrialization.  The movement ran counter to industrialization and focused on the handmade object, and the ability of a beautiful and well designed environment to provide moral uplift. The movement was both a philosophy and a style that permeated domestic interior, including decorative art and furniture, painting and textiles. The movement had special resonance in Chicago, one of the most industrial of American cities at the turn of the 20th century

Vase  Courtesy Art Institute of Chicago

Permission of Art Institute of Chicago

Designed by Annie E. Aldrich (American, 1857–1937); Made by John Swallow (American, born England, active c. 1910); Decorated by Sarah Tutt (American, 1859–1947); Marblehead Pottery (1904–1936). Vase, c. 1909. Marblehead, Massachusetts. Glazed earthenware. The Art Institute of Chicago, Vance American Fund; restricted gift of the Antiquarian Society.

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Flower Motifs, Examples of the Works of William Morris from the William Morris Society

February 4th, 2010 by carlisleflowers
Pomona  Courtesy of William Morris Society

Pomona Courtesy of William Morris Society

William Morris was such a protean figure that the following sections of the William Morris Society website can only provide a guide to his life and works. Two of the four sections of the website illustrate Morris’ Art and Life, containing introductory material, examples, and links to additional material found on the website.

  • Art: Morris’s work in the visual and decorative arts, including book design, calligraphy, furniture, decorative arts, paintings, drawings, stained glass, tapestries, textiles, and wallpapers
  • Life: A general introduction to William Morris, offering biography, a chronology, and links to the places and people with which he was associated.
One example of his appreciation of flowers as art and symbolism is shown in his correspondence to the Pre-Raphaelite painter, Rossetti and his painting “Dante”. “Paradise pecking roses, and nestling, and singing birds lustily.  There is a floor of tall buttercups and hyacynths, and lilies, among which the five figures are treading ankle deep.  Coloured calm, above all pain, all passion, and all pride, reigns the atmosphere.  There they walk in knowledge, love, and beauty evermore.” Excerpt from “An Anthology of Writings : Some Principles of Decorating - Interior Design and His Contemporaries with Information about His Early Years of the Arts and Crafts Movement in England.
The Morris Society notes the following:

5 March–5 June - Facing the Late Victorians: Portraits of Writers and Artists from the Mark Samuels Lasner Collection, exhibition at the Henry B. Plant Museum, Tampa, FL. Occassioned by the Nineteenth Century Association’s annual conference, “Theatricality and the Performative in the Long Nineteenth Century.

Evenlode  Courtesy William Morris Society

Evenlode Courtesy William Morris Society

CALL FOR PAPERS
Useful & Beautiful: The Transatlantic Arts
of William Morris and the Pre-Raphaelites

Conference at the Univesity of Delaware, Winterthur Museum and Delaware Art Museum, 7–9 October 2010
Proposals due 15 March 2010

http://www.morrissociety.org

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The Flowers of William Morris, The William Morris Gallery, Waltham Forest, England

January 31st, 2010 by carlisleflowers
flower

Chrysanthemum Courtesy of the William Morris Gallery

The William Morris Gallery is the only museum in the world specifically devoted to the life, work and influence of William Morris (1834-1896), the artist, craftsman, writer, socialist and environmental campaigner. It is housed in his former family home, ‘Water House’.  William Morris’ design work is known for its major influence in the establishment of the principles of the British Arts and Crafts movement.

Sunflower

Sunflower Courtesy of the William Morris Gallery

Morris and fellow artist, Edward Burne-Jones “admired (the sunflower’s) stature and simplicity-an ornament worthy of heraldry - and gave the sunflower a romantic medieval heritage. … the sunflower became the  fashionable flower, transplanted from the back corner of the garden to the center of the stylish drawing room, writes Debra N. Mancoff in her book, “Flora Symbolica  Flowers in Pre-Raphaelite Art,” Prestel, 1998.

The Gallery’s collections are of international significance and include examples of all William Morris’s artistic activities as well as an important archive of manuscripts and printed material. As well as work by Morris and his circle, the Gallery has very significant and in some cases unique collections of artifacts and designs by Morris’s followers; the protagonists of the Arts & Crafts Movement, the only major art movement to have originated in Britain. It also houses the Brangwyn Gift (donated by the artist Sir Frank Brangwyn R.A. (1867-1956) of paintings, prints, drawings and sculpture by 19th- and early 20th-century British and Continental artists.

Larkspur

Daisy Courtesy of William Morris Gallery

www.walthamforest.gov.uk/william-morris

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Flowers in Pre-Raphaelite Art, “Flora Symbolica - Flowers in Pre-Raphaelite Art” by Debra N. Mancoff

January 27th, 2010 by carlisleflowers

The Pre-Raphaelite Movement was launched in 1848 by seven men, writes Debra N. Mancoff, Associate Adjunct Professor at the School of the Art Institute of Chicago and Scholar in Residence at the Newberry Library in her book, “Flora Symbolica - Flowers in Pre-Raphaelite Art”.  The artists were:  Dante Gabriel Rossetti, his brother, William Michael Rosetti, John Everett Millais, William Holman Hunt, Frederick Stevens, Thomas Woolner and James Collinson.

John Ruskin, an art critic who influenced this group of artists, wrote “truth is to be found in nature.” Ruskin’s, “Truth to Nature” writes Ms. Mancoff, mirrored the “widening audience for floral culture” in the Victorian era as cited with the following publications:  ”Flora Historica”, Henry Phillips (1824), “Flowers and Their Associations”, Anna Pratt (1840), “The Ladies’ Flower Garden of Ornamental Annuals”, Mrs. Loudon (1849).  Then followed a common feature in floral books, a lexicon of flowers and their meaning explains Ms. Mancoff.  ”Florigraphy,” explained the “encoded messages of colors, positions, combinations and blooms.”  The Victorians’ fascination with flowers  can be seen in Hamlet’s Ophelia written by Shakespeare and painted by  John Everett Millais.  Ms. Mancoff writes that Millais’ “fidelity to botanical detail was an essential feature in the interpretation of Ophelia’s tragedy.” While her drowning took place offstage, “every plant Gertrude mentioned- the willow, the nettle, the daisy - is clearly rendered and their meanings  - mourning, pain and innocence - express a course of lament.”

Other chapters in this lovely book include,”Within Garden Walls,” “The Purest Flower”, “The Queen of Flowers”, “Fatal Bouquets” and “Say It with Flowers.”  One chapter entitled “The Fashionable Flower”, features the sunflower, a flower which gained popularity during the Victorian era “transplanted from the back corner of the garden to the center of the stylish drawing room,” explains Ms. Mancoff.  William Morris and Edward Burne-Jones, followers of the Pre-Rapaelite Artists, used the sunflower in their decorative work.

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Garden of Light - Walk the World, University of Dundee Botanic Gardens, Scotland

January 17th, 2010 by carlisleflowers
Dundee Botanic Garden

University of Dundee Botanic Garden Photo Credit: Steve Page

Garden Of Light - Walk The World

Saturday 27 and Sunday 28 February 2010

For two nights in February 2010, visitors will be able to walk through the extensive grounds of the University Of Dundee Botanic Gardens and experience a spectacular display of light and sound.

Taking inspiration from the impressive collections of plants from around the world, this event is themed to reflect and recreate some of the sounds of the continents and cultures of the world. Following on from the highly successful Garden of Light in February 2009, the 2010 event is expected to be very popular and will be significantly larger. For the first time the event will extend into the extreme eastern end of the garden to bring the Asian plant collections into full view. The Australian area has been expanded and new interactive elements will test the skills of young and old alike to create your own light shows.

Dundee Botanic Gardens

University of Dundee Botanic Gardens Photo Credit: Steve Page

With over 19 acres of garden to be illuminated - and over 2 kilometers of marked trails, the Garden Of Light is by far the largest outdoor sound and light show in Scotland.

With all music being specially commissioned for the event, and approximately 400 lights spread throughout the grounds - this event offers a spectacular and unique experience which sets itself out from the crowd and makes it a must see event in 2010.

The event is not just for plant lovers but will appeal to the whole family, and with varied entry times - you can choose a time that suits you.

The University Of Dundee Botanic Garden is situated in the west end of the City - it is therefore easily accessible and only a few minutes by public transport or car from the city centre. Getting to such a show has never been easier!

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Garden of Lights, Norfolk Botanical Garden, Norfolk, Virginia

January 8th, 2010 by carlisleflowers
Courtesy Norfolk Botanical Garden

Courtesy Norfolk Botanical Garden

Garden of Lights at Norfolk Botanical Garden is a 2 ½ mile drive-through light show highlighting the four-seasons.

The glow of the Garden winds through the four seasons as they come alive with millions of twinkling lights.

The 2.5 miles of meandering paths are filled with beautiful displays, light-filled trees and the new Garden by the Sea underwater adventure. The new scene features beautiful Mermaid and her friends that are helping the City of Norfolk celebrate the Year of the Mermaid (our city symbol.)

Courtesy Norfolk Botanical Garden

Courtesy Norfolk Botanical Garden

This is the 15th annual Garden of Light show at the garden.  All proceeds benefit children’s programming in the World of Wonders Children’s Adventure Garden.

Norfolk Botanical Garden is nationally recognized for its deep-rooted history and celebrated for its blooms in every season. In 1938 a WPA grant paid 220 African-American workers to clear 30 acres of dense vegetation, sowing the seeds for what is now one of the largest collections of azaleas, camellias, roses and rhododendrons on the East Coast. The 155 acre garden is home to 30 distinctive themed gardens, 95 species of birds and 30 kinds of butterflies. Our latest garden is World of Wonders – A Children’s Adventure Garden – a 3-acre garden where kids explore the connections between plants, international culture and the environment – all while having fun!

www.norfolkbotanicalgarden.org


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