Mother Rose

A friend gave me the book, "A Walk Through My Garden" edited by Whitney Scott. I was looking for my Mother and came upon a poem, "Roses for My Mother," by Evewlyn Lewis-Chase. Her endearing poem promoted my musing and picture ... Mothers of Roses Bring Beauty Bring Sorrow Mothers of Roses Make Gardeners of Men When Gone Their Beauty Their Petals do lie Under the vegetables The sky shines by.

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An Infinity of Graces, Cecil Ross Pinsent, An English Architect in the Italian Landscape

Author: Ethne Clarke Publisher: W.W. Norton & Company Inc., 2013
Author: Ethne Clarke
Publisher: W.W. Norton & Company Inc., 2013
Ethne Clarke's book, An Infinity of Graces tells the story of Cecil Ross Pinsent, an English architect in the Italian landscape. Mr Pinsent, as described by Ms. Clarke, "was trained not to look at any style...but with the full knowledge of what had been done in the past...."  The time of Mr. Pinsent's work was a time of change in the theories of English gardening.  What ultimately became acceptable was the style forged by Gertrude Jekyll and Edwin Lutyens, a style with some formality mixed with informality. Pinsent left England, drawn to Florence, Italy, for its architecture and the expatriate world who lived there Ms. Clarke writes.  She continues that the Italian Renaissance garden was a template for perfection in the landscape.  Pinsent was an architect.  He was hired to renovated both indoor and out.  He treated the outdoors as an extension of the house, the garden separated into different rooms.  The beds were simple and cypress was often used to frame a view, the author writes.  Potted citrus or roses were used as transition points. His commissioned work included: I Tatti for Mary and George Berenson, Le Balze for Charles Augustus Strong, and Gli Scafari for Sybil and Percy Lubbock. Poignantly Ethne Clarke ends An Infinity of Graces by writing, "an insertion of architecture within Tuscan landscape was not a matter of camouflage but a continuous relation with history of landscape."

Four Things to know about Edith Wharton and her book, “Italian Villas and Their Gardens”

  1. Villa Lante, Itlay
    Villa Lante, Italy, Photo courtesy of Roberto Piperno
  2. Read Introduction by John Dixon Hunt of " Italian Villas and Their Gardens," a book written by Edith Wharton originally published in 1904 by the Century Company, in 2008 by Rizzoli and The Mount Press.  Why did Henry James describe Edith Wharton's villa and garden visits as "excursionism?"
  3.  What is difference between garden writer and travel writer? Which was Edith?
  4. Charles Platt wrote a book about Italian gardens about the same time that Wharton did.  How did their writings differ?
  5. Did Edith approve of  Maxfield Parrish's pictures he painted to portray the gardens she wrote about? Do she have literary control?
Beautiful book to read and that is just the start of it!    

Burghers of Calais and Blush Rose

Blush Rose, Credit CarlisleFlowers The Blush rose is white tinged with red.  When cutting these stems under conditioned water I noticed how straight the stems were.  Not only straight but like a rod with some reinforcement.  First I arranged the roses in a cube, its square holding eight roses in upright fashion.  I studied the arrangement over night and decided the next morning to lop them off as to create a square of Blush roses on top of the cube.  The stems had turned, going in the direction they cared to go. The floor and sides inside the cube were lined with Calathea flowers, big, fleshy, and full of light, dark and a tinge of red. Four Blush roses were planted heads up in glass pyramidal vases. Now the Burghers of Calais struck me.  How the roses slightly turned yet their mass still there.  I had no control over this turning.  Could Auguste Rodin, the sculpture of the Burghers of Calais, commissioned by the town of Calais, France, mold his men cloaked in their robes of importance and have complete control of the movement of the rod and metal of his material?  His men were sculpted in unity and mass, slightly turning a head, a shoulder, to define their acceptance, pride, abjection, defeat.  Yet their lives were spared because the king's wife would not want her expectant child to have the blood of the rose spilt on her cradle's sheets.

Campbell Soup Flower Arrangement for Thanksgiving

 
Campbell Soup Flower Arrangement by CarlisleFlowers.net
Campbell Soup Flower Arrangement by CarlisleFlowers.net
Rarely when discussed the line-up for Thanksgiving dinner is there mention of soup. Pumpkin pies, sweet potato casseroles, onion dip and roasted turkey might translate into creative ingredients for post-game festivities but the in-between football games dinner certainly would never include a bowl of tomato soup.  So when I arrived at the relatives for our turkey dinner with this Campbell soup can full of flowers, a woman stopped in her tracks.  "A bowl of soup," she said.  "No, it's Andy Wharhol!" The ingredients for our tomato soup include:  mums, roses, sunflowers, carns, eucalyptus, and sunset safari.  The caloric intake, sodium content and how many servings this can contains will have to be referred to Safeway, Towson, MD. Now, back to the game. "Oh, can I interrupt for one more second? Serve these ingredients cool."    

Royal Street Garden in the Vieux Carre’, New Orleans, LA

IMG_0387 Picture: Courtesy Carlisle Hashim The Tour, "Secret Gardens of the Vieux Carre'" in the French Quarter of New Orleans included a courtyard on Royal Street, a "well-detailed double residence with attached three-story kitchens."  It was built around 1833 for Paul LaCroix, a classic Creole-style building with a central passageway, arched ground floor openings, narrow wrought iron balconies and curved dormers.  Story has it that two brothers who had inherited the building were feuding and decided to split the building so they erected a wall.  The mother managed to scale both sides.
Picture Courtesy Carlisle Hashim
Picture Courtesy Carlisle Hashim
  "Secret Gardens of the Vieux Carre',  is hosted by the Patio Planters of the Vieux Carre', a volunteer organization dedicated to the preservation and beautification of the French Quarter.  Formed by French Quarter residents as a garden club focused on sharing new plants, Patio Planters brought tropical and semi-tropical exotics to courtyards in the 1950's.  Bromeliads and orchids grew with more traditional banana trees, oleander, althea and ginger.  Fig and other vines were espaliered on brick and masonry walls which replaced the last of the horizontal board fences from 1880.  Since 1946, Patio Planters has sponsored Caroling in Jackson Square in December.  All proceeds from the tour fund the Caroling event. www.patioplanters.org IMG_0384   Picture Courtesy: Carlisle Hashim

Rosedown Plantation, St. Francisville, South Louisiana

Rosedown Plantation, Image Courtesy of Louisiana State Parks/DCRT
Rosedown Plantation, Image Courtesy of Louisiana State Parks/DCRT

 

 

Rosedown Plantation, Image Courtesy of Louisiana State Parks/DCRT
Rosedown Plantation, Image Courtesy of Louisiana State Parks/DCRT

ROSEDOWN PLANTATION STATE HISTORIC SITE

Rosedown Plantation is located in the West Feliciana Parish community of St. Francisville along one of the most historic corridors in South Louisiana. Daniel and Martha Turnbull began construction on the main house at Rosedown in 1834, completing it by May the following year. The home was furnished with the finest pieces available, most imported from the North and from Europe. The gardens were the province of Martha Turnbull throughout her life. The Turnbulls’ honeymoon in Europe included great formal gardens of France and Italy, an influence seen in Martha's activities at Rosedown. The gardens grew out from the house over a span of many decades, to cover approximately 28 acres. In the 19th century, Rosedown was one of the few privately maintained formal gardens in the United States. A restoration of the formal gardens in the late 1950s was done by Catherine Fondren Underwood and Ralph Ellis Gunn, using Martha Turnbull’s extensive garden diaries. When possible, the same species and varieties were replanted. When plants in Martha’s inventory were discovered to be no longer available, the staff of gardeners would propagate them from plant stock surviving in the gardens. Through this process, the gardens, as well as the house, were returned to their original state.